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<\/a><\/p>\n1. MAP – sharing of processes <\/strong> GLOBAL WAR{ming} exercise Natalia Wilk<\/strong> is a dancer\/performer, actress. She graduated from the Ludwik Solski Academy for the Dramatic Arts and the \u00a0Political Science at the Silesian University. She worked with Isabelle Schad in Collective Jumps, with Koen Augustijn in Dance Moves Cities, with Cosmin Manolescu in Fragile \u2013 part of the \u201eE-Motional: rethinking dance\u201d residence programme, with Paul Passini and Robert Hayden in Metamorphosis Dynamics at the Grotowski Institute and with Robert Talarczyk in the performance Open Chopin. She received scholarships of the Alternative Academy of Dance in 2014, of the Marshal of Silesia in the category of Culture for 2013, and of the Residence\/Premi\u00e8re programme at the \u017bak club in Gdansk in 2012. She has danced in projects by Idan Cohen, Rafa\u0142 Urbacki, Victoria Fox, Guilherme Botelho, Les gens d\u2019Uterpan. She has participated in master classes with Les Ballets C de la B, David Zambrano, Liquid Loft Companie, Ann Van Den Broek, Yasmeen Godder, Mala Kline, Igor Podsiad\u0142y, Witold Jurewicz and others. She also writes about dance. In 2011, she completed an internship in dance critique at the San Diego State University in California.<\/p>\n Luis Garcia Munoz<\/strong> graduated Dramatic Art at Higher School “Miguel Salcedo Hierro” of Cordoba, Spain in 2012. He worked in the international project “The Dynamic of Metamorphosis” (2012-2014), coproduction with the Grotowski Institute in Wroc\u0142aw and the Theatre in Lublin, Poland, directed by Pawe\u0142 Passini.Currently he is studying classical and contemporary dance at the Andalusian Dance Center in Seville, Spain. Working in different projects to approach the performing arts to children and as a freelancer creator.<\/p>\n ***<\/p>\n Heaven is just a blue disguise of hell Joana von Mayer Trindade<\/strong> – Choreographer, Performer and Teacher works in between Berlin and Porto since 2011. In 2013 she got a Master degree in Dance, MA SODA (Solo\/Dance\/ Authorship) at the University for the Arts in Berlin-UDK \/ HZT and received a scholarship to attend her studies by GDA- Gest\u00e3o dos Direitos dos Artistas. She attended the Course of Contemporary Dance Performers (1998\/1999) run by Forum Dan\u00e7a as well as \u201eEssais\u201d (2006) at the \u201eCentre National de la Danse Contenporaine d\u2019Angers\u201d, direction d\u2019Emmanuelle Huynh (France). She works as a creator, performer and teacher in the fields of performance art, dance and yoga. She has a degree in Psychology, University of Porto. Together with Hugo Calhim Cristov\u00e3o, she is a member and co-founder of NuIsIs ZoBoP. Her two latest solos \u201eShe Will Not Live\u201d and \u201eVeleda\u201d, created together with Hugo Calhim Cristov\u00e3o were presented in several festivals and cultural centers in Portugal such as Serralves Museum and Festival Materiais Diversos.<\/p>\n Bruno Senune<\/strong> was born in Aveiro in 1992. Currently he lives in Porto. In 2011 he finishes his studies in dance at Balleteatro Escola Profissional. As a performer and co-creator he’s been working with Victor Hugo Pontes, N\u00e9 Barros, T\u00e2nia Carvalho, Joana Castro, Fl\u00e1vio Rodrigues, Mariana Tengner Barros and Joana von Mayer Trindade. He’s part of a electrotrap musical project with Fl\u00e1vio Rodrigues – Special Grey<\/em>. In 2015 he contributes for the development of a Site Specific for a Theater Masters in ESMAE (Polytechnic Institute of Porto). In parallel he works as a photographic model.<\/p>\n Hugo Calhim Cristov\u00e3o<\/strong> is Creator, Writer and Director of performance research group “NuIsIs ZoBoP”. Created and directed “ABBADON” with interpretation of Paula Cepeda Rodrigues, under NuIsIs ZoBoP in 2006\/2007. Created and directed with Joana von Mayer Trindade: \u201cSHE WILL NOT LIVE\u201d, \u201cVELEDA\u201d and \u201cZOS (She will not Live)\u201d. At the present moment he is studying Philosophy in the fields of metaphysic and logic while continuing to work in the field of arts (dance and theater) and aesthetics.<\/p>\n ***<\/p>\n 29.05 | 11.00H | \u201eGEORGE APOSTU\u201d CULTURAL CENTRE Anca<\/strong> Sigart\u0103u,<\/strong> manager of Bacovia Theatre, graduated from the Academy of Theatre and Film, Bucharest, acting department, Dem Radulescu class, has a master degree in directing and a Doctor of Arts degree- with honors. Actor and director at Bulandra Theatre, Nottara Theatre, Little Theatre, Metropolis Theatre, has successfully performed multiple roles in famous plays. Also, she performed different roles in TV theatre and TV series, presented cultural programs on different TV stations, participated in entertainment shows and has also starred in several feature films. She has an academic experience:\u00a0 theatre teacher at Westminster Schools of Augusta, GA, USA and prof. univ.dr. at \u201eSpiru Haret\u201d University, Bucharest, Arts Department.<\/p>\n Liviu Dospinescu<\/strong> graduated from the Faculty of Letters and Sciences of the University “Stefan cel Mare”, Suceava, in 1996. In 1998-1999 studied the DEA (Dipl\u00f4me d’\u00e9tudes approfondies) in theater and audiovisual semiotics at Universit\u00e9 de Toulouse 2 – Le Mirail (France). The interest in language and literature is increasingly merging with theater and \u00a0performing arts.\u00a0In 2006 he obtains a Philosophiae Doctor diploma at the Universit\u00e9 of Qu\u00e9bec, Montr\u00e9al. Along his Canadian route, he was offered the chance to teach at several universities: Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (2004, 2008), then at the University of Ottawa (2006-2007). Starting \u00a02008, he is a professor in theater studies, at Universit\u00e9 Laval from Quebec. As a teacher and researcher he has published numerous articles and has lectured at Montreal, Tokyo, Birmingham, Munich, Constan\u0163a, Boto\u015fani.<\/p>\n Silvia Cazacu<\/strong> \u00a0has Graduate study in Sociology, but also studied Theatre Studies and currently works as literary secretary at the Odeon Theatre in Bucharest. Her articles in the performing arts are mostly found online at sites like Postmodern, Liternet, Gingergroup, Art Ou. She currently writes for Arts and Crafts magazine<\/em>. Her field of interest focuses mainly on the perspective of the spectator in contemporary dance; she is preparing her MA graduation work in Theatre Studies at the Utrecht University in the Netherlands.<\/p>\n Beatrice L\u0103p\u0103dat<\/strong> graduated from the Faculty of Letters, University of Bucharest, Romanian-English section (2010). Currently she is a PhD student at the same institution in comparative literature, prof. univ. dr. Bogdan Lefter class. She writes for\u00a0 LiterNet<\/em> since 2009. She also signs theater reviews for Tomis, Timpul, Luceaf\u0103rul, Cultura <\/em>magazines. Interested in performing arts field: social theater, performance, contemporary dance.<\/p>\n ***<\/p>\n 29.05 \u00a6 18:30 H \u00a6 Bacovia Theatre The show, a collaboration between PerfoRM Foundation and Odeon Theatre brings together three seemingly incompatible artistic poses: contemporary dance, stand-up comedy and gypsy music played by Romica Puceanu. Joining them together is like an invitation to watch with a (self) critical eye, with humor, a deep human theme: the fear of failure.<\/p>\n “Saraiman emerged from a personal feeling, \u00a0like a cool thought, that you want to lengthen quickly, namely the failure in my life, ours, those who have chosen to live in Romania,” says sincerely Razvan Mazilu, who added: “I know, I was told many times that I shouldn’t feel like this, because I’m a fulfilled artist, but you cannot ask yourself \u00a0what would your life look like if you had made different choices at different times, both personal and professional choices. Together with the stand-up comedy artist Dan Badea and inspired by the authentic gypsy music, we try with a lot of\u00a0 humor, to launch some questions and eventually find some answers.”<\/p>\n R\u0103zvan Mazilu<\/strong> is a complete artist who imposed and popularized the contemporary dance and dance theater among the general public on Romanian stages. With numerous awards (UNITER Prize, Knight in the Order of Cultural Merit, Opera Prize, in Paris), he presented shows in prestigious international contexts. Mazilu approaches very easily different styles and situations ranging from direction to choreography, from contemporary dance to musical, from acting to creating stage costumes.<\/p>\n Dan Badea<\/strong>, actor and comedian, carved by his master Dem Radulescu for four years at UNATC “I.L. Caragiale” (where he learned that humor, irony and, above all, self-irony are ways of looking at his life) has traveled a long road to find his purpose.\u00a0As he wandered through music industry more than a decade he found its way: stand-up comedy \u2013an art form alive, honest and with a clear purpose. No matter the subject, no matter who’s in the room, regardless the artist’s mood or his thoughts, the viewer must laugh. \u00a0Laugh at what’s funny, not at everything. For seven years, every day, whether he is at Cafe Deko, Club 99 or in national tour, Dan Badea has learned one thing: today’s public is different from yesterday’s, the show also, because you, the spectator, you’re not the one from yesterday.<\/p>\n Nadar Rosano<\/strong> is a choreographer and freelance dancer, set in Israel. His originality and nonconformity as a choreographer brought him many awards at choreography competitions, at Hannover and Dusseldorf and a creative scholarship to the prestigious company DV8 Physical Theatre in London. In 2010 he received a grant to support and develop his creation from the Danish Art Foundation – Ballet Master Albert Gaubier’s.\u00a0Universal citizen of contemporary dance, choreographer and teacher, Nadar Rosano is invited to give lectures and present his performances on stages in the Czech Republic, Lithuania, Spain, Cyprus, Poland, the Netherlands, Portugal, Switzerland, Korea, the United States.<\/p>\n ***<\/p>\n 30.05 | <\/strong>18.30H |\u00a0 BACOVIA THEATRE In 2013 Laura Simi is intrigued by the musical form of a Pr\u00e9lude and drawn to meditate on origins, beginnings, improvisation (prae<\/em>: start and lude<\/em>: game), pursuing a meeting point with music, that leads straight to Shut up!<\/em> (2013 work). At the same time she heads up a choreographic laboratory and is introduced to a child that dances.\u00a0L\u00e9o Launey has a funny way of filling space, Laura decides to invite him to share an artistic moment. The Pr\u00e9lude duo is shaped like a portrait, an instant from life, as delicate and energetic as a child. \u201dThrow light on ordinary gestures, understand and show how the body works. Bodily virtuosity melts away and brings to life something quite extraordinary. Just like a powerful poetic machine.\u201d \u201eThis work led me to Heraclitus: time is a child acting like a child, throwing dice and accepting chance; children do not separate being, doing and saying. That is how they make themselves\u2026\u201d (Laura Simi).<\/p>\n The meeting with the pianist Jeanne-Marie Golse\u00a0 gives us a rich and sensitive dialogue, a\u00a0 composition between artistry and improvisation. A merry “fight” between dance and music.<\/p>\n Born in Pistoia, Italy, Laura Simi<\/strong> is formed initially in classical ballet and then extends to all forms of dance at the C.S.D. Istituto Gould, Florence. She continued her training in the United States with Martha Graham, Alvin Nikolais and works in New York with Richard Haisma choreographer and dancers M. Cunningham. In 1993, he founded Silenda with Damiano Foa. She receives first prize in the competition of Cagliari in 1992, and the Grand Prix of the Society of Authors in 1994 at the Rencontres Choregraphiques de Seine Saint Denis. With Silenda she has the opportunity to teach and do workshops; she is responsible for creating, writing, installations. As a performer she collaborated with set designers, video artists and musicians for projects in art spaces and urban. With Damiano Fo\u00e0, they have created more than fifteen pieces and choreographic performances.<\/p>\n L\u00e9o Launey<\/strong> is eleven years old and he was born and lives in Caen. He practiced dancing since the age of six (modern dance, classical, hip hop, contemporary). He practices football and drawing. He cultivates a vegetable garden, he has animals (dog, cat, two fish, two chickens, a rabbit). His passion is dance, visiting museums and churches. His dream is to become a dancer and cook.<\/p>\n Jeanne-Marie Golse<\/strong> studied piano at the Conservatoire de Caen (class Armand Bex), is a\u00a0member of the Regional Orchestra of Basse-Normandie since 1983. She has participated in numerous concerts in France and abroad (Norway, England, Russia, Italy, Australia), assuming the orchestral pianist functions, chamber musician and soloist.\u00a0Jeanne-Marie Golse collaborated for several years with the electro-acoustic studio “La Muse en Circuit”, participating in numerous concerts and shows, contemporary music creation (Paris, Edinburgh Festival, Madrid). She then turned to the Argentine tango and has integrated the orchestra “La Tipica” created by Juan Cedron, in traditional tango orchestra in 1930-1940. Finally, loving contact with students, Jeanne-Marie Golse is teaching since 1994 at the Conservatory Gustave Charpentier in Paris.<\/p>\n","protected":false},"excerpt":{"rendered":" Between May 28-30, George Apostu Culture Centre in Bacau present a 3-day event including MAP – sharing process presentations with artists from Portugal and Poland, debates and performances from Romania and France. The daily programme is available below. 1. MAP – sharing of processes 28.05 \u00a6 17:00 \u00a6 The Cultural Centre \u201eGeorge Apostu\u201d, Bac\u0103u An […]<\/p>\n","protected":false},"author":2,"featured_media":292,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[9,14],"tags":[],"class_list":["post-291","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-map-sharing-of-processes","category-performance-programming"],"_links":{"self":[{"href":"https:\/\/dans.ro\/e-motional\/2013-2015\/wp-json\/wp\/v2\/posts\/291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dans.ro\/e-motional\/2013-2015\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dans.ro\/e-motional\/2013-2015\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dans.ro\/e-motional\/2013-2015\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dans.ro\/e-motional\/2013-2015\/wp-json\/wp\/v2\/comments?post=291"}],"version-history":[{"count":2,"href":"https:\/\/dans.ro\/e-motional\/2013-2015\/wp-json\/wp\/v2\/posts\/291\/revisions"}],"predecessor-version":[{"id":294,"href":"https:\/\/dans.ro\/e-motional\/2013-2015\/wp-json\/wp\/v2\/posts\/291\/revisions\/294"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dans.ro\/e-motional\/2013-2015\/wp-json\/wp\/v2\/media\/292"}],"wp:attachment":[{"href":"https:\/\/dans.ro\/e-motional\/2013-2015\/wp-json\/wp\/v2\/media?parent=291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dans.ro\/e-motional\/2013-2015\/wp-json\/wp\/v2\/categories?post=291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dans.ro\/e-motional\/2013-2015\/wp-json\/wp\/v2\/tags?post=291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n28.05 \u00a6 17:00 \u00a6 The Cultural Centre \u201eGeorge Apostu\u201d, Bac\u0103u
\n<\/strong>An acronym from the Portuguese \u201cMostra de processos\u201d, MAP is a sharing frame for the creative processes related to a piece\/performance, an event to present movement based artistic proposals.<\/p>\n
\n<\/strong>– work in progress-
\n<\/strong>Concept, dance: Natalia Wilk (Poland)
\nDrama choreography: Luis Garcia Munoz
\nOnce upon a time on the shore of global warming ocean there was a mermaid. Waiting. Preparing for a flood. Huge cleansing wave of destruction. New conditions of liquide state of matter to live in imaginary Atlantis of own liquid body. ;Become water, my friend\u201d. Looking forward for Global WAR{ming} results. With primordial waters of no\/new ECO, no\/new LOGO, no\/new FASHIONS, no\/new LABEL, no\/new PROBLEM… Norm-core. Aqua-core. Becoming formless. Staying against, staying within, holding back, stepping forward, going around. Adapting. In water that doesn’t have a statement.<\/p>\n
\n<\/strong>-work in progress-
\n<\/em><\/strong>Concept and interpretation: Bruno Senune, Joana von Mayer Trindade (Portugal)
\n<\/em><\/strong>Direction and choreography: Joana von Mayer Trindade, Hugo Calhim Cristov\u00e3o
\n\u201eA duet where\u00a0One<\/strong>\u00a0is afraid, much,\u00a0and\u00a0One<\/strong>\u00a0is excited, much.\u00a0\u00a0Representing\u00a0the constant flow from nowhere to nowhere, the dissolving of boundaries and\/or rules, the free movement of information not yet formed where all relationships are in motion with\/without.\u00a0Chaos appears as a leitmotiv \/concept\u00a0 to explore and deal\u00a0with unconscious depths, vibrations, pure energy, infinite speeds, intensities, sensations, madness, unpredictability, plurality, endless possibilities, open field, letting go of ego and of preconceived patterns or expectations. Chaos breeding counter forces, tensions, conflicts, despairs, feeding itself in the weakest residues, of heaven, of hell.\u00a0A duet where\u00a0One<\/strong>\u00a0is afraid, much,\u00a0and\u00a0One<\/strong>\u00a0is excited, much. And so are both. Be it angelic, be it daimonic. Both are duo, both are duet, both are duel\u201d JvMT & HCC<\/p>\n
\n<\/strong>Colloquium<\/strong>: Contemporary dance, where to<\/em>?
\nParticipants:<\/em>
\nGina \u015eerb\u0103nescu<\/strong> is a doctor of\u00a0 Philosophy, a playwright and performance critic. She collaborates with important romanian and international magazines: Dilema Veche, Observator Cultural, Teatrul Azi, Scena.ro, Critical Correspondence New York, Workspace Brussels, Au Sud de L\u2019est. She is the author of\u00a0 \u201eMeanings of the Body in Contemporary Dance\u201d (2007). As a playwright\u00a0 she worked with Sabine Molenaar \u015fi Kata Juhasz in Jardin d\u2019Europe<\/em> residencies.\u00a0Among several artistic projects we name: Residency E-Motional Bodies and Cities<\/em>, Dance Waves Festival Cyprus, participation in Critical Endeavour Programme, within Impulstanz Vienna, participation in the programme Moving Dialogue New York, a cultural exchange between Romanian and US Artists, initiated by Dance Theatre Workshop, Gabriela Tudor Foundation and Movement Research, New York.<\/p>\n
\n\u0218ARAIMAN
\n<\/strong>Concept: <\/strong>R\u0103zvan Mazilu
\nStand-up comedy: <\/strong>Dan Badea
\nDance: <\/strong>R\u0103zvan Mazilu
\nMusic: <\/strong>Romica Puceanu
\nChoreography: <\/strong>Nadar Rosano
\nDrama choreography<\/strong>: Gina \u0218erb\u0103nescu
\nProduced by perfoRM Foundation and Odeon Theatre (Romania)<\/p>\n
\n<\/strong>PRELUDE\u00a0<\/strong>
\nConcept: Laura Simi\/Silenda<\/strong>
\nDance: Laura Simi, L\u00e9o Launey<\/strong>
\nPiano: Jeanne-Marie Golse
\n<\/strong>Sound creation: Jean-No\u00ebl Fran\u00e7oise<\/strong>
\nMusic: Giuseppe Jelasi, Bach<\/strong>
\nLight creation: Damiano Fo\u00e0
\n<\/strong>Costumes: Laura Simi, Yolaine Guais
\n<\/strong>Produced by SILENDA (France)<\/p>\n